14 ‘To October’ Shostakovich’s Fifteenth Symphony, like his Fifteenth String Quartet, was his last, and both works seem to illuminate the composer’s state of mind in his last years. [O]ne is tempted simply to cut it off with a pair of scissors. 14 no. Find album reviews, stream songs, credits and award information for Shostakovich: Symphony No. Shostakovich’s second symphony, however, (and third, as we shall see) was not only not a roaring success at its premiere, but has continued to be recognized as some of his weakest work in the form. Wiki says: Though Shostakovich had been commissioned by Muzsektor rather than Agitotdel, and was thus expected to produce a composition of abstract music instead of a propaganda piece, writing a short agitprop symphony seemed to solve all of Shostakovich’s problems. ( Log Out / After composing the first two movements, Shostakovich wrote to a friend that it would be more fitting to call the work a ‘symphony-grotesque’. In 1937 Russia, at the height of Stalin’s purges, the Communist Party strongly denounced Dmitri Shostakovich’s most recent works. The unexpected death of his father in 1922 only made matters worse. 10 BBC Proms 2007: Prom 48Royal Albert HallAugust 19, 2007Simón Bolivar Youth Orchestra of VenezuelaGustavo Dudamel, conductorShostakovich Symphony 10mvt II. The work was composed for the tenth anniversary of the October Revolution. Shostakovich wrote that ‘whereas in October, the main content is struggle, May expresses the festive spirit of peaceful development… This does not mean that the music in May is all glorifying and celebratory. Symphony No. Nervous tension and sarcastic wit, passion and intelligence, contemplation and action, nobility and banality – all expressed with an economy of means that is simultaneously subtle and direct. But perhaps it was not only that work’s orchestration, with its soloistic piano part, that fascinated the student composer. 103 'The year 1905' WDR Sinfonieorchester Koln, Semyon Bychkov The performance from the WDR Symphony Orchestra is compelling at both ends of the dynamic spectrum, from the heart-rending funereal … The Soviet Union had discovered its first international star, the first to be trained solely under the new system rather than old imperialist Russia, and the authorities proclaimed him as an exaltation of the new at the expense of the old. It’s marked largo, and the first real utterance of any kind, out of this jumble of sound, comes from the brass, in the form of more low growls, and eventually a trumpet solo. Written in 1929, in less than a month, the Third Symphony is another single-movement work with choral finale. But it gave him at least something to reach for, to accomplish, in writing his second symphony, no matter how he came to feel about the work’s merit. These early, enigmatic works point to a lifetime of ambiguity and double-speak. Peaceful development is a most intense struggle.’ That’s okay, though: there’s the first, symphonies 5-8, the less gargantuan ninth, followed then by the incredible tenth and eleventh… and four more. In the Sixth Symphony, Shostakovich wanted to express an illogical and contradictory world and so chose a form that is both those things. It’s about 20-ish seconds, depending on ambient noise, before you hear the low mumbles of the ensemble in this first and longest movement. It is daylight, and false. 44: I. Allegro brillante. ‘Sometimes I just want to shout. This is followed by the most forced of perorations maybe ever written in music history. 93 (1953) 2 - Symphony #5 in D minor, Op. 2, the Second, Third, Sixth, and Tenth string quartets, the Violin Concerto No. But the style was about to change. His well-educated mother had to work thirteen-hour days as a cashier and Shostakovich was forced to spend many after-school hours as a silent-movie pianist to help the family cope with the hardships of the post-Revolutionary economy. The second movement then feels very much like a scherzo. Later on in his 10th Symphony (the 3rd movement) there is a little tune which is made from the letters of his name and another tune made up from the name of his secret girlfriend. Shostakovich Symphony no. And the Mahlerian string sonorities and Tchaikovsky-like descriptions of fate and death are more old-fashioned influences than contemporary ones. The Ninth is sometimes called Shostakovich's classical symphony because of its brevity, form, and frequent chamber character. And completing his Symphony No 4 – a big brute of a work – he withdrew the planned Leningrad premiere in '36, after denunciation by the State. 2. It is a radically different work than his first symphony, which is a marvelously successful work that to me gives us far better glimpses into who the composer would later mature into than either of these works we’ll discuss. etc. 1 and 2 Christopher Lyndon-Gee, Michael Houstoun & New Zealand Symphony … Such a work was entirely appropriate for the occasion for which it was being written. In time, this much repeated role would become as much a burden to him as it was a saving grace. Change ), Shostakovich Symphony no. Shostakovich was bitterly attacked in the official press, and both the opera and the still unperformed Symphony No. Or learn more… Or learn more… Recordings: Bernard Haitink: Royal … 14 ‘To October’ In 1927 Shostakovich was commissioned by the State Publishing House to honour the tenth anniversary of the October Revolution. And yet, despite suffering from malnutrition and tuberculosis, there are also stories of him losing his job for laughing too much at the Buster Keaton and Charlie Chaplin films he was employed to accompany. Wiki mentions “the notion of “industrial” symphonies intended to inspire the proletariat.” Thank goodness that phase is over. The symphony opens with a virtuosic brilliance heavily influenced by Stravinsky’s Petrushka. 2.The symphony was premiered that October by the Leningrad Philharmonic Orchestra under conductor Yevgeny Mravinsky.This was the last Shostakovich symphony Mravinsky … ( 1937 ) Shostakovich was a prodigious child as both pianist and composer child as both pianist and.... 5 Violin excerpt from mvt 1, Rehearsal number 32 until 36 Symphony 10mvt II life, the scherzos. Point to a lifetime of ambiguity and double-speak trying to say partially by Vsevolod Meyerhold ’ s bourgeois family proved! Perplexed me, to say the least to use this form with power! 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